CNN
I might not watch a lot of network television, but that doesn't mean
I don't watch plenty of TV. CNN. No smarmy newscasters, just you, Larry
King, James Earl Jones, Christiane Amanpour, and more of the rest of the
world than you'll see almost anywhere else on U.S. TV. Only a constant since
1991, when I moved back to my mother's house from television-less college,
when the U.S. declared war on Iraq, when I belonged to a gym and watched
CNN while Lifecycling after work. I kind of miss CNN now: with the television
downstairs, it's out of daily life, which is great, but it's also out of daily
life. I also miss it because several of the new newscasters suck.
60 Minutes
Approximately every Sunday evening of my life when
a television has been
around, I've watched "60 Minutes." I remember when I used to think
Andy Rooney was funny. I also remember when the show was 55 minutes, not
50, and they broadcast their letters, too. Ha.
CBS Sunday Morning
If television had a Smithsonian magazine, with gently informative
articles on obscure topics you never knew you were interested in, this show
is it. A pleasant way to wake up Sunday mornings: the newspaper, toast,
cocoa, and Charles Osgood. And this is the only CBS quasi-news show that
still reports on its letters to the editor, too.
Warner Brothers
I was a Saturday morning kid. Two hours of
Warner Brothers cartoons and I don't remember what other foolish shows I watched.
And I still like the
original crew of 'toons and now the Animaniacs (especially when they terrorize
an unsuspected Barney). The single best Warner cartoon is "One Froggy
Evening," starring Michigan J. Frog. His figure is on my key chain;
his tie-tack is the one remaining button on my Levi jacket (and my Levi
jacket used to be the Cliffs Notes to Life According to Lisa). What other
cartoons familiarize their viewers with opera and classical music and everything
else? I don't remember the title of my other favorite, which spoofs the
Marriage of Figaro/Barber of Seville, with Bugs giving Elmer Fudd a beauty
treatment.
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Captain Kangaroo
Someone asked me who my favorite people were when I was maybe six. I named Mrs. Newman, who was my speech therapist, and Captain Kangaroo. The ping-pong balls, the little people in the bookcase, Dancing Bear, Mr. Moose, and Bunny Rabbit. I loved Captain Kangaroo. I remember that I was very upset when I switched from afternoon to morning kindergarten. I was maybe too attached. (When I was in high school Bob Keeshan was rumored to be considering purchasing a house in Lyme, and I plotted how to make him hire me as house boy.)
Then in November of 1996 he came to the Tattered Cover in Denver to sign
his book, Good Morning, Captain! I bought one for me and one for
CLH and waited in line, about the fiftieth person. When the elevator doors
opened, the line burst into applause, and I realized that this old, short
man must be Captain Kangaroo because none of the rest of his entourage
could have been and there must have been a reason for the applause.
I must be a lot taller than I was the last time I saw his show. As my
linemates and I inched forward and chatted about our memories, I was struck
by how much older these folks were than Ivery few were in their twenties
or younger. I saw a pair of sisters ("We grew up watching you!")
have their books signed and then their photograph taken with him! And
I hadn't brought a camera! The man ahead of me in line offered to take
my picture on his camera. (And if you are out there reading this, Mr.
Miller, I apologize for never sending you a note expressing my gratitude
for that photograph. I didn't save the envelope with your return address
on it.) My turn came one person after the sisters, and the first coherent
thing I was able to tell Mr. Keeshan was that I had a book for my sister
too, who couldn't be there that day (since she lives in Boston). "Well
now," said Captain Kangaroo. "Aren't you thoughtful to remember
her." Captain Kangaroo called me thoughtful. |
H.R. Puffnstuff
I remember very little about this show except vague images--was it derived from "The Magic Flute"? The story here is more a CLH one than a television one anyway. She used to imitate Witchy-Poo, very well.
The Ranger Station
We used to go to the filming of this show for Brownies and the occasional birthday party. I don't know how any of the local network affiliates could have produced the show independently, and I know we didn't go to New York, so how did this show happen? Does anyone remember? Anyway, here I made my first television appearances (and so far my last).
Six Feet Under, The Sopranos, Sex and the City.
Also The
Wire, because sometimes the Sopranos and Six Feet Under are in reruns and I have
to watch something (note the Calvin and Hobbes reference).
I hate commercials.
ER
I ascribed my watching ER to peer pressure. This is an outright lie. I first saw it because I was a guest in someone's house and they had to watch it. Now I am grateful for that introduction. I love ER. It's much better than "Cats." I would watch it again and again and again.
The Simpsons
I don't remember how I first watched the Simpsons, though I know it wasn't
on the Tracy Ullman show. It was late enough so that Bart wasn't saying "Cowabunga."
What I enjoy is how cleverly this show assimilates everything going on in popular
culture. They have spoofed "Mary Poppins" while Itchy and Scratchy
have spoofed "Reservoir Dogs." And they combine dissimilar works so
hilariously that I will happily watch as long as they're about.
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I watched the entire seven-year run in less than eleven months, the first two seasons on DVD from the 'brary, seasons three through five on Tivo'd reruns, and seasons six and seven by relying on the kindness of near-strangers.
The West Wing
I just started this (August 2003) because Bravo started rerunning it from the beginning. As with a journal, as with a book series, I want to see a show from the very beginning. Seeing five episodes at once (in less than four hours, praise Tivo) was a good way to get into the show.
The Dogs Of War |
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M*A*S*H
I remember how sad I was at the final show, and how
I thought that at
least I could see reruns in syndication. I think "M*A*S*H" got
thrown out of the loop during college sometime, because I remember watching
it after dinner in SEM's room freshling year
but by senior year his après-meal choice was "Cheers."
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Moonlighting
In Boston, staying at my sister's after college
interviews, I went along with her and two friends to get ice cream before God,
as they said. And I was instructed, "No talking during God." And I saw "Moonlighting "for
the first time, and it was good. I should mention that both the friends were
male;
one was gay but the straight one was the most stridently worshipful. I mention
this in defense of its being shown only on Lifetime these days. After God
we
went to see the Sting movie, whose title currently escapes me but which was
I think taken from a song (990909: "Bring
on the Night"). For the rest of the school year and as often freshling year
as I could, Tuesday nights at nine were ABC, do or die. I stopped with the
weekly pint of Ben and Jerry's Mint and Oreo in college, though, having
embraced the freshman fifteen [a prime example of why the term "freshman" is
so inappropriate; don't mostly women gain it?] easily enough without it.
Northern Exposure
When I moved in with NBM in
my first year of grad school, she introduced me to "Northern Exposure," then
in its second season, and I immediately fell in love with it. I wanted to be
Ed. I wanted Maggie not to grow her hair. I loved even Maurice and found Marilyn
unbearably funny. Another unrequited love fête, but at least "Northern
Exposure" had enough of a supporting cast so that story line didn't get
old by the third episode. This show is the closest network TV has ever come
to magical realism. In my second year of grad school, when I rented a different
room but mostly lived with RDC, my only certain
night in my own room was Monday, so that at ten CXJ
and I could be couch potatoes together.
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Blackadder and Mr. Bean
I don't remember who introduced me to Rowan Atkinson. Even if it was TEWS, I am eternally grateful. From the sniveling Black Vegetable of the first series to the snide and punctilious Blackadder of the fourth, this is one of the chortlingly funniest shows ever. And watching it is better than sitting around all day on our elbows.
I have only seen a few episodes of "Mr. Bean" but Rowan Atkinson
is equally, if differently, gifted in this. What U.S. show has ever been
brave enough to commit to a show entirely without dialogue?
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Fawlty Towers
Two of my babysitting victims in a new family wanted to watch "Fawlty
Towers" one night. Having grown up without good television reception, I
think this tenth-grade experience might have been my first exposure to public
television. I was suspicious at first, thinking it looked sort of cheesy (cheesy!
and I had never seen or heard of Dr. Who!), but I learned. Over our last Christmas
in our mother's house, CLH brought
home some borrowed Fawlties. Trying to enjoy them in our mother's house was
a pathe experience: "Why is
that funny? I don't see what's funny there. Why my two intelligent daughters
want to waste your [sic] time with this...." This during "The
Germans," the best of all of them. Sigh.
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Flying Circus
An entire vocabulary has sprung from this show. Some of it gets quoted
when it shouldn't be ("That parrot's nailed to the perch!") but
other bits are just too useful and connotative to abandon: "My brain
hurts!" I think I've the answer to my rhetorical section head: the
U.S. doesn't succeed with comedic skit shows because we're so hung up on
sex. In SNL when a man's in drag, the joke is about the drag, not about
what he says or does. Other than that we make only puerile, stale comments
and never understand the concept of "Say no more."
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Whose Line Is It, Anyway?
Where is this show now? Is it available on video? It's never on the Comedy
Channel anymore. And it bolsters my point about Yank vs. Brit humor, because
the Yank players never handled off-the-cuff ad-libbing with such facile
grace as the Brit ones. It might be my outsider's perspective, though. Tony
Slatterly is the best, but Josie Lawrence and Peter Laurie give him stiff
competition. Jerry Seinfeld would fall on his face in this, and so would
Michael Richards.
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The Young Ones
The young one Neil started me thinking if I had ever known a Neil who wasn't
slothful. I've known a Neal who ran marathons who was sloth-like when not racing,
and a Southern-drawling Neil, and an obese Neil. They all have something slothful
in common. "Thanks for telling me about the new hole in the floor, guys!"
Parents beware what you name your child. Names like Rick and Adrian might be
equally problematic. Adrian to a biting hamster: "It's into the toaster
with you." Rick, to the license-collector who's accused him of the old
"eat-the-telly" avoidance tactic: "It's a toaster!" (The
toaster must have had a rough life.)
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