Reading: John Fowles, The Magus. I am 300+ pages in and I have no idea who is mad--hm, despite the wackedness of one or two or three or four, if there are four, of the main characters, it still doesn't remind me of Lolita--and who is not, and where Fowles is going. I thought he wrapped up A Maggot really conveniently with some handy dei ex machina, and I'll be disappointed if he uses the same shtick here. But I doubt he does, and I feel what an analytical, critical reader I am not in my inability to discern his motive. Moving: 15' NT 1.5 miles Listening: workout disc. Watching: "Sopranos" Garden: Called utilities about underground stuff. Attended class. |
5 March 2001: UnderworldClearly I remember/ picking on the boy/ seemed a harmless little fuck... ***** Everywhere he goes is news ****** He knew he would need them for his conversation ***** It's the special skill of an adolescent to imagine the end of the world
as an adjunct to his own discontent. --- What I like about each of the three songs is that in them the violence is an attempt to communicate what verbal means have failed to convey. The DeLillo is just a good line. ----- I listened to Pearl Jam as I worked out, watching the muted the Newshour with Jim Lehrer and reading the captioned comments of Sandee High School students. At least one reason people grow up without respect for human life is that they have not learned it by example, have not been respected, have grown up without a sense of self. It's not been nurtured in them, and whatever inborn part of it has survived without nurturing is cut down by society. At what point is an individual not responsible for his becoming a sociopath? Is there one? |
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