UConn's library, Homer, didn't fall over into the swamp, but its face did fall off. Precipitation leaked behind the brick facade, froze, and popped bricks right off. From 1987 to 1995 the building was swathed in plastic to protect passersby before eventual correction. Snopes says no architect ever did forget to account for books in the weight of a structure--though it does say that Homer's floors are sagging. As are Formigny's.
RDC observed, or at least suspects, that the house continues to settle: has the dining room floor sunk, or was there always that much space between the oak planking and the floor molding? does the porch roof continue to pull away from the house? Are those two bookcases with 42 feet of shelving altogether compressing the flooring? The answer to the last is yes. So this weekend I emptied them and brought the books downstairs, where they can weigh on the cement foundation as heavily as they like.
In August, I bought a larger bookcase for the nonfiction. The 36x36x12 bookcase that that displaced has been in a corner behind the closet door and held only Ann Lauterbach and D.H. Lawrence so far. One of the upstairs bookcases could fit there, 84x36x12, the only spot in the basement with high enough ceilings--my study is sunken but still has walled-in ducts in some bits. I removed one of the shelves from the standard-and-bracket ones we installed on the wall to the right of my desk and from beneath them removed the little chest of drawers and the little bookcase, so the shorter bookcase now fit in their spot; and I added its last shelf to another case (a step I avoided because it results in two short shelves).
Neither of us has used the NordicTrack or Total Gym in ages. The latter has been collapsed and away at least half of those ages, and the skier merely collects dust. RDC says he can't imagine our not belonging to a gym, and so they're both going to go live on the farm. The skier's absence frees the west back wall for two pieces of furniture from the sunroom, where RDC has begun to build the breakfast nook--the gateleg table and the cookbookcase.
The table in the den has been pieces of board left over from building the drawers in my closet (under the hanging shirts) supported on two crates. I removed one crate and one board and put the little chest of drawers in its place with the little bookcase on top.
So much for arrangement of furniture: now to arrange the books. Forty-two feet of shelving, but once all the books were downstairs, only about 35' of books, into 30 additional feet of cases.
The standard-and-bracket shelves by my desk had had a shelf each for writing books, favorite authors, favorites, and kids' books in pulp, and the little bookcase had had my reference books. I purged some reference books--I don't need the Merriam-Webster dictionaries of law and etymology at my fingertips--and some writing books--Annie Dillard and Sue Hubbell could join general fiction--and the favorite authors--Atwood and Byatt, except for Possession, also could join general fiction. Reference and writing merged, favorites (including Possession) remained, and bracket height dictated that pulp books remain as well.
Some of RDC's particularly favorite fiction--DeLillo, Hemingway, Kerouac, Tim O'Brien, Pynchon, Gary Snyder--had been upstairs but the bulk was cultural, literary, and information theory. Fiction would be easier to categorize than nonfiction, as well as beginning at the far left of the available shelf space. It all had to come down, case by case, beginning with A for Atwood. I emptied the first case, Edwin Abbott to F. Scott Fitzgerald, and filled it again, Abbott to Don DeLillo. I emptied the second, Penelope Fitzgerald to Wally Lamb, and filled it again, Dickens to Ken Kesey. From there to the end of the alphabet was faster because I didn't have to empty before filling. Fiction now ends on the second shelf of the second case, with the fixed third shelf of impractical height holding a Riverside Chaucer and one Riverside Shakespeare and one Pelican, and Shakespearean and Chaucerian criticism. The third case is all fixed shelves, but only the top one is a silly height, at slightly less than trade. It had held my Penguin medieval and Renaissance collection, but now the pulp-sized Penguin is on the pulp-sized shelf and the trade-size is at the end of general fiction (I'll work the latter into general fiction but I forgot during the main project) but now it holds whatever nonfiction is short enough to fit. I dislike arranging books by height, but so it goes. Other than first three feet of short books to hand, I kept some groupings--women's studies, history, cultural studies--but otherwise arranged the non-facetious non-fiction alphabetically by author or editor. Not by LOC, because RDC prefers to go by author and because I am not going so far as to label the books. Yet. Facetious non-fiction--Cynthia Heimel, Uppity Women of Medieval Times, Al Franken--and a slew of Norton anthologies end the hoard.
Cullings: Tom Sawyer and Life on the Mississippi in pulp, since we have them in a Twain collection, vast but more readable than pulp. A duplicate collected Yates. One Riverside Chaucer. Ellen Tebbits, even though it was a gift, because it is not a Beverly Clearly I grew up with. James Howe's The Watcher. Yellowed pulp versions of texts that are readily available online, like Malthus and Veblen. Pulp Dreiser, since neither of us will ever read him again for pleasure and Sister Carrie, though not An American Tragedy, is available through Project Gutenberg. Learn Downhill Skiing in a Weekend.
Next, the cookbookcase will leave its temporary quarters in the bedroom for the den. Because we digitized the music collection, the CDs don't need to be easily accessible. Cramming rather than shelving them will free up space for how-to books in the television shrine, and eventually the sunroom will take back the cookbooks--another whole new bookcase! And then I will have to go on methadone. Or we'll have to decide that we don't need two different editions of the two-volume Norton collection of American literature, or perhaps not the one-volume version at all.